HDR with Lightroom 4

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I am really liking a lot of things about the new Lightroom 4! Adobe came through with many improvements and additions, but I won’t go into those, here. Suffice it to say that I consider it a must have for serious photographers … AND, they lowered the price, too!
The above image is a “single-image” HDR, processed using LR4. Total time in LR was probably only 3 or 4 minutes.
LRHDRsettings-2012-03-9-07-44.jpgI had originally underexposed this image, using the Fujifilm X100, because I knew I really wanted to get the colors in those clouds, but Lightroom was able to save the photo. The “new” sliders in Lightroom 4 made this possible, using the settings shown here. What surprised me the most was just how much of the shadow detail I was able to salvage from what was an underexposed image. (See the original image, below)
The processing did introduce a bit of noise, as expected, but again LR 4 came through with about a 50 setting on the noise slider.
Another nice thing about this processing is that it seemed to give me a much more “natural” looking image without that somewhat over processed look that sometimes results from HDR work.
At $79.99 for the upgrade and $149.99 if you’re new to Lightroom, I don’t think you can go wrong.
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NEX-7…I’m Loving It!

 I’ve only had the Sony NEX-7 for a couple of days, but I’m liking every part of it. I’ve read a lot of “rave” reviews and, mostly in forums, a lot of negative comments. But, from my perspective, it is a terrific camera!
It has 24 Megapixels with excellent higher ISO capability, 10 frames-per-second, lots of in-camera processing features (my favorite is the auto hdr), and size…it is so small and light! With the 16mm pancake lens it will fit in my pocket.

Some naysayers say that with the larger lenses like the 18-200mm, the size is no longer a factor, but it’s still much smaller and lighter than a normal DSLR with an 18-200 zoom on it, so I can live with that.
Sure, there is a shortage of E-mount lenses available (for now) but there are several adapters that allow you to use many amazing lenses made by other manufacturers. In fact, the Sony alpha-mount adapter even adds phase-detection focusing to the mix!
The other thing is the “Tri-Navi” control system. You pretty much have to try it to appreciate it, but it gives you very quick access to most of the settings you would use while shooting, like:
  • program shift, exposure compensation, and ISO
  • Image quality and auto-HDR settings
  • focus and metering
  • white balance
  • and more
All without ever having to take your eye from the viewfinder…very nice!
And, speaking of the viewfinder, this new EVF (Electronic ViewFinder) is truly amazing. I know, it’s not on a par with a good optical viewfinder in all situations, like bright contrasty light or in low light situations. However, it gives you something that not even the best optical finders can provide – WYSIWYG. In general, what you see in the viewfinder is what the image will look like on your computer. Adjust the exposure or white balance and, instantly, you see how that image will look with those settings. In my opinion, that is very important! Some say, “Pro photographers don’t need that”. Well, maybe not, but I bet even the pros will get more and more enthusiastic about this capability as it is improved and more cameras have it.
These images are from Sedalia, Colorado. They were shot, using the auto-HDR feature of the NEX-7 with a total of 6 EV spacing in 3 images. Then most of the processing was done with Lightroom 4 (beta) and the Spicify preset in Topaz Adjust.
These were with the new 18-200mm E-mount Sony lens and I’m very happy with it – great color and sharpness.
Thinking of switching cameras? I don’t think the NEX-7 would disappoint you! 🙂

Old Shack

I found this old shack on a hill, not too far from Crested Butte, Colorado. Actually it’s near Taylor Park Reservoir, situated about equi-distance from Crested Butte, Gunnison, and Buena Vista.
At the time, I was just too lazy to walk up closer so I used a telephoto lens for this shot. The “unplanned” result was this compression of distance, making the clouds look like they’re right on top of the shack.
This is a single-image HDR using Nik HDR Efex Pro.  The processing in HDR Efex is what helped to really bring out all of the texture in the image, especially the clouds.

Fiery Dawn on Snowy Pines

A while back, I was treated to a spectacular, fiery sunrise the morning after a few inches of fresh snow softly coated the pines near home.

Here was a golden opportunity to try out some HDR (High Dynamic Range), using the Nikon D7000.  So far I’ve been thrilled with the results from this camera, finding it to produce very clean images with low noise at reasonable ISO’s.

One of the things I’m really liking is the ability to save settings to two of the positions on the mode dial:  U1 and U2.  I haven’t tried everything but I’m happy to report that you can save your AEB (bracketing) settings and even other positions on the mode dial.  For instance, when I select U1 now, the camera is set to the Aperture Mode and is ready to shoot 3 bracketed images with 2 EV spacing – quick and easy!

Once the images were downloaded, I used Nik’s HDR Efex Pro to create this image. In this case, I was only able to use two of my bracketed images and was surprised and pleased with the result.  HDR Efex Pro is a great addition to the software possibilities available for HDR work and gives you a good number of presets to choose from, plus it has Nik’s proprietary U-Point technology as one of it’s tools.

Old Ford F600

I found this old Ford tow truck in Sedalia, Colorado. I couldn’t tell for sure, but it looks like it may still be in service.

Taken with the Sony A77 w/Sony-Zeiss 16-80mm, In-Camera HDR.
Processed with Topaz Adjust, using the Spicify filter.